Credits

What you see here is actually the second version of TimeWorks.  
The original version took shape as a walk through, experiential 
installation at the Evergreen State College gallery, in the 
Spring of 1994.  TimeWorks was my undergraduate thesis work at 
Evergreen, one year in the making.  Please read the walkthrough 
description I have written, if you are interested.

A number of people who saw the original TimeWorks installation 
hoped that I would make a book version which they could have and 
look at, at their leisure.  I worked for some time trying to find 
a method of cheaply producing a book version of the show, which 
I could send to these people.  I began to explore computer based 
methods of publication, such as Hypercard and HTML, partly out of 
fascination with the media, and partly because it was possible to 
produce something with a very nice "look and feel" without 
breaking the bank on expensive paper and printing processes.  Of 
course, the drawback to publishing on the Web is that there are 
still a relatively small portion of people who have the equipment 
and the knowledge to access the work.  Perhaps I will end up making 
that paper version after all...

Jeremiah Moore, Denver Colorado, August 1995

Credits for TimeWorks Web:

Graphics and Text:

Jeremiah Lyman Moore

Special thanks:

To Joshua Allen for help with tagging, graphics, and general propeller-head stuff; to Leanne Anderson for proofreading and help editing the IdeaMaps; and a generous helping of thanks to all the folks mentioned below who helped conceptualize and organize the original version...

Credits for the original gallery version of TimeWorks:

Faculty Sponsors:

Fall 1993 Tom Maddox
Winter 1994 Paul Sparks
Spring 1994 Terry Setter
co-sponsor for Winter and Spring 1994 Peter Randlette

Tom Maddox, a wonderful "literary generalist" helped me lay the conceptual groundwork for the installation. He was particularly helpful in that he encouraged me to read and read and read, without giving much thought to structuring my ideas until I had a very thorough understanding of the subject matter.

Paul Sparks, a sculptor, filmmaker, and conceptualist, helped me structure my ideas and deeply consider my modes of presentation from the concept level all the way down to the screws and plywood level of the final plans.

Terry Setter, a composer, musician, and sound-worker, oversaw the actual construction of the hard (fabricated boxes, pedestals, sound chambers) and soft (audio and video tapes, slides, etc..) components of the installation.

Peter Randlette, an electroacoustic composer and musician, is the head of Electronic Media at Evergreen. He helped me to keep the project on the ground, so to speak, so that it wouldn't become too conceptual and lose its accessibility. Peter also helped me explore various technical possibilities, within the constraints of available budget and equipment.

Thesis Committee:

Terry Setter Peter Randlette Charlotte Tiencken Wooldridge The committee met to offer critique and suggestion from several different perspectives. They also provided the final academic evaluation of the installation.

Soundbox:

Original design and construction by James Coury, re-construction and modifications by J. L. Moore

Special Thanks to:

My faculty sponsors and thesis committee members, James Coury, Pete Steilberg, Ryan Waite, Leanne Anderson, Lindy Lyman, Wyatt Cates, Katherine Ford, the Media Loan employees, Alley Hinkle, LeRoy Moore, Doug Hitch, Peter Ramsey, the Gallery employees, Seth Damm, Jonathan Fey, the COM building staff, employees of the Wood and Metal Shops, the staff and employees of Photo Services, Andy Bardwell, Jenna Park, James Luckett, A. W. Brown, John at the woodshop, staff of Designers Service Bureau, Capitol City Press and CCI, and all of my wonderful friends!

TimeWorks was created by Jeremiah Lyman Moore